Working primarily in video, photography, and installation, Andro Eradze's (b. 1993 Tbilisi, Georgia) mesmerizing films are set to otherworldly soundtracks, and feature animals, plants, and other subjects from the natural world, which are often in tension with an unseen yet looming human presence. In focusing his lens on the space between the organic and the industrial or synthetic, Eradze reveals an interconnectedness between all things, and the responsibilities that humankind inevitably holds. Shot at a slow pace with fluid, panning camerawork, as if underwater, "Sails" (2019) centers on subjects that bare the trace of human intervention—a taxidermied fox, an abandoned pistol in flames, a plant in artificial light, a shoeprint embedded in the earth—zooming in on their details as if to examine them as evidence.